I think about music all day long. This is like my version of Fantasy Football. What if I could come up with an imaginary band made up of musicians whom I feel are unique on their instruments...who'd be in it? I had to think about it for a minute or two but not too long.
The term unique is overused in the music biz but sometimes a musician comes along once in a generation or even once in a lifetime, like the late great Buddy Rich, who plays so differently than everyone else that they can truly be called unique. Speaking of late, every musician I've chosen is deceased, but it doesn't matter because this is an imaginary band.
Since I'm a former drummer I'll start with the drums. Any band is only as good as the drummer, so I need a great one. This is a toughie because obviously there's a ton of drummers I love.
Many regard Buddy Rich as the greatest drummer in the world and I agree, but he'd be strictly a Jazz guy, and this band can't be limited by genres.
I could go with my boy Bill Bruford, because if ever a unique drummer picked up a pair of sticks it's Bill, but with all due respect, and there's a bunch of that, Bill might be too unique. His playing is incredible and it demands attention, which in this case, imaginary or not, might be too much.
As much as I'd love to have Bruford, John Weathers of Gentle Giant, my favorite drummer John Hernandez of Oingo Boingo, Barriemore Barlow of Jethro Tull, Carl Palmer of ELP or any one of a thousand great drummers, I'd have to go with John Bonham.
Bonham played with so much power but he was smooth and incredibly accurate. What made him unique was his drum sound. To this day drummers and studio engineers are still trying to get "that Bonham sound." His name has become an adjective, and that can't be overlooked.
He had no problem with odd meters, and although Zeppelin wasn't a "Prog" band I have no doubt he could handle that stuff. I have to go with power, accuracy but most of all sound. Bonham's the guy. If this band could somehow exist in another dimension or something, very few people would be unhappy with Bonham on the kit.
To complete the rhythm section I'd go with Mick Karn, solo artist and member of the band Japan on bass. He truly is worthy of the term unique. He played a fretless bass and he never used a pick. His playing was generally legato, although he could play the staccato Pop stuff too.
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